College Of The Canyons Spring Semester 2011

ART-124B (79726) and ART-224A (79740) 

Drawing II and Drawing III

James F. Lorigan

2:20PM-05:20PM Tuesday and Thursday in Room MENH-241

ART-224A Drawing III may be taken 4 times for credit

(CSU) (UC) (Degree credit)

 

COURSE DESCRIPTION

Drawing II and drawing III are drawing classes with an emphasis on drawing the human figure. The class will be taken on a step-by-step approach to understanding the human form. Traditional and contemporary drawing techniques that will utilize a variety of drawing materials will be used. We will also explore compositional and design fundamentals as they apply to the human figure. The course will include a study of artistic anatomy. Particular attention will be given to gesture drawing and relative proportion. Upon completion of the course the student should be able to demonstrate an increased understanding of the representation of the human form in pictorial space.  The student should also be able to analyze and manipulate pictorial space and compositional relationships. The student should be able to demonstrate creative skills in visual problem solving and associate general concepts and processes in 20th century drawing with your own work. Lectures, class discussions, critiques and technical demonstrations will accompany the studio sessions.

 

Student learning outcomes for DRAWING II ART 124B & DRAWING III ART 224A:

LAB:  1.Students will be able to Demonstrate through drawings a basic understanding of human anatomy as it applies to drawing the human figure and develop drawings of the human form from compositional planning, structure and sighting to suggestion of volume, value and depth while effectively integrate technique, craftsmanship, content and inventiveness in a composition.

LECTURE:  2.Students will be able to analyze and make aesthetic judgments about their own work, the work of their peers and notable artists using correct terminology.

 

I hope you have an enjoyable, successful and productive semester. Remember, I am here to facilitate that. Feel free to contact me if you have any questions or concerns. You are invited to visit me in MENH-310 during my office hours: 11:30AM-12:30 PM on Mondays or from 7:30AM-8:00AM on Tuesdays and Thursdays you can schedule an appointment for some other time or leave a message by phone at 661-259-7800 ex 3077. If you would like to meet with me briefly you can find me on campus. On Tuesdays and Thursdays you will find me in room MENT-234 form 8:00AM-11:00AM and in room MENH-109 from 11:10AM- 2:10PM. You can also reach me or leave a message on my studio phone: 714-836-5410. My studio e-mail address: jameslorigan@sbcglobal.net. Or the college email: james.lorigan@canyons.edu

 

Note: If you need additional time to complete a project or report or if you require any special accommodations, please notify me in a timely manner so that I can assist you. Otherwise, you will be expected to adhere to the information included on this course syllabus.

 

The Textbook that I will be referring to is “Artistic Anatomy” by Paul Richer, Watson-Guptill Publications. ISBN 0-8230-0297-7 Paperback edition 1986. There are many artistic anatomy books available that will work for the class and I will be giving detailed lectures and demonstrations concerning artistic anatomy. You may or may not want to get a reference book to assist you.

 

Attendance. Attendance is extremely important, as much of your work will be produced during scheduled class meetings. Excessive tardiness /absences will affect the quality of your artwork and consequently your grade in the class.

 

I will be collecting at least one drawing from you per session.

 

EVALUATION AND GRADING

WILL BE BASED ON THE FOLLOWING:

 

1.      Demonstrating proficiency in the perceptual, technical and conceptual aspects of drawing the human form in class assignments.

2.      Portfolio evaluation and presentation.

3.      Active and constructive participation during critiques.

4.      Effective use of class and lab time.

5.      Submission of drawings and drawing projects on time.

6.      Proficiency of drawing techniques.

 

Grading Rubric:

 

Grading elements:

Excellent

90%-100%

Good

80%-89%

Average

70%-79%

Poor

60%-69%

Not college level 0%-59%

Effort and responsible use of class time

 

 

 

 

 

Creativity/critical thinking and problem solving

 

 

 

 

 

Creativity/effective use of media

 

 

 

 

 

Craftsmanship

 

 

 

 

 

Completion. Artwork feels complete.

 

 

 

 

 

Overall project grade

 

 

 

 

 

 

 

CALENDAR

Professional models will be incorporated into the schedule as they become available. The lecture and critique schedule is tentative as a result of model availability and the pace of the class.

 

Lecture and critique schedule:

Week #1.  2/8/2011. We will review the course objectives and calendar. Gesture drawing and relative proportions will be discussed, please refer to plates 108, 109 and 110 in the textbook.

 

Week #2. 2/15/2011. We will be conducting studies of the foot. Please refer to plates 28, 29,31 and 67 in the text. We will also look at the figures movable masses and their relationship to gesture drawing.

 

Week #3. 2/22/2011. (Monday 2/21/2011 is a holiday) We will consider ways of developing a schematic drawing. We will also be looking at the anatomy of the hand see plates  #22 figure 4, 23 anterior view, 24 posterior view, and 25 lateral and medial views.

 

Week #4. 3/1/2011. We will continue our study of the hand, hand to elbow. Please refer to plate numbers 57,58, and 59 of the text.

 

Week #5. 3/8/2011. This week we will study the anatomy of the hand to shoulder. See plates 59,60 and 61.

 

Week #6. 3/15/2011. This week’s anatomy study will cover the foot to the knee. Refer to plates 32-35 and 65-71 of the textbook. I will describe and assign the midterm project on Thursday 3/18/2010.

 

Week #7. 3/22/2011. We will be discussing the function and anatomy of the pelvis. We will begin with a study of the anterior view. Please see plates 12-15 (pelvis) 32-35 (leg) 63,68,70 and 71 (muscles).

 

Week #8. 3/29/2010. We will continue our study of the pelvis by looking at the posterior view to the knee. See plates 12-17 (bones) 52, 64, 69, 70 and 71 muscles. Submit a portfolio of twelve drawings two anatomy studies and ten figure studies on Thursday October 21. I will discuss the final project with you at this time.

 

Week #9. 4/5/2011 is spring break.

 

 

Week #10. 4/12/2011. We will be concentrating on the anterior view of the torso. Refer to plates 16,51 and 53.

 

Week #11. 4/19/2011. The scapula will be studied this week please refer to plates 23-25 and 42-44. I will introduce the final drawing project. This project will require you to complete the artwork outside of class.

 

Week #12. 4/26/2011. We will be studying the posterior view of the torso. Please refer to plates 17 and 54.

 

Week #13. 5/3/2011. We will begin studying the head it’s skeleton and proportion. Refer to plates 1 and 2 of the textbook.

 

Week #14. 5/10/2011. We will take a quick look at the neck and shoulder yoke. See plates 41-47 for reference.

 

Week #15. 5/17/2011. A drawing lab with a concentration on portraits will be conducted.

 

Week #16. 5/24/2011. Drawing lab. Note: The Drawing II and Drawing III final projects will be submitted and critiqued on the final day of class.

 

Week #17 Finals Week. Tuesday 5/31/2011 and Thursday 6/2/2011 will be the final critiques for Drawing II and Drawing III All students are required to attend both critique sessions!

 

Note: If you need additional time to complete a project or report or if you require any special accommodations, please notify me in a timely manner. Otherwise, you will be expected to adhere to the information included on this course syllabus.

Feel free to contact me. My studio phone number is 714-836-5410 my office phone at school is 661-259-7800 ex3077. My studio e-mail address is jameslorigan@sbcglobal.net and the college email is james.lorigan@canyons.edu .

 

Please be aware that it is your responsibility to drop the class if necessary.

 

 

 

 

General drawing supply list: