An introduction to
Electronic Music Production
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Course Objectives
This course is an introduction to the production
electronic music. Topics covered
include operating systems and system software; data structures for computer
information; the hardware mechanics of a computer; instructional software for
musicians; acoustics; data structures for sampling and MIDI; data structures
for laser audio and video; hardware devices for music publishing; music
notation software; software for music sequencing; MIDI hardware; software for
creating, organizing, and editing sound; hardware for digital sampling and
recording.
As a result of completing this course, you will:
Be able to demonstrate the use of operating systems
and system software,
Diagram the hardware mechanics of a computer,
Explain the basics of acoustics,
Demonstrate sampling and MIDI
Use software for music sequencing to create music
Use MIDI hardware and software for creating,
organizing, and editing sound,
Use hardware for digital sampling and recording to
create music
1. Textbook
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The textbook is available in the C.O.C Bookstore as
well as on the Web.
2. Computer
Since we are learning to use computers to compose
and play music it is strongly suggested that you have access to a computer. If
you plan to continue in the field you really need to obtain a current PC or Mac
for use at home. The computers in the classroom will be available during class.
3. Class Meetings
The class meets twice a week on Mondays and
Wednesdays or Tuesdays and Thursdays.
4. Attendance
Attendance will be taken at the beginning of each class session and will be considered in the final grade. If you have any questions about missed classes you can leave me e-mail at doug.forbes@canyons.edu or from the Music Tech webpage at www.canyons.edu/departments/Music/
5. Classroom Behavior
College level behavior is expected. You will be asked to leave, or referred to the Dean of Students, if you engage in any inappropriate behavior during class. Such behavior includes distractive talking, leaving the classroom without asking, or disrupting fellow students in any way. Pagers and cellular telephones are to be turned off during class. If your pager or cell phone disrupts the class you will be asked to leave and not return.
6. Withdrawal from class
By signing up for the course you expressed an
interest in computers and music. I can help you further that interest. Before
you consider dropping let me know and we can talk, there are always alternatives
to quitting.
7. Homework
You will find attached a schedule of reading
assignments and lectures. The homework is to do the reading assignment, and
complete the assigned music projects.
8. Quizzes
There are approximately 8
quizzes given one every other week. They are taken on ScanTron 882 forms
available in the bookstore as well as in Admissions and Records. You must supply your own ScanTron forms.
Missed quizzes may not be made up however the lowest quiz score will be
discarded so if you miss only one it will not affect your grade negatively.
There is a final examination that consists of questions from the 8 quizzes.
9. Grading
Your grade will be
determined by the following formula:
Quizzes = 50%
Final = 50%
Class Lecture
Topic Page
1 Introduction to course. Handout
2 Basic Acoustics video
The Nature of Sound Events 1 - 7
3 Basic
Acoustics 2
Refraction and Reflection 7 – 14
4 Music and
Acoustics 17 - 32
Properties of Musical Sound Quiz 1
5 Basics of
Sound Synthesis 32 - 38
6 Acoustic
Factors in Combination 38 - 43
7 Introduction
to Computers 44 - 46
8 Representing Numbers 46
– 51
Quiz
2
9 Introduction to MIDI 53
– 63
video
10 Connecting MIDI Instruments 65
– 71
video
11 The MIDI Language 1 72
– 75
Structure
of Channel Voice Messages
video
12 The MIDI
Language 2 76 – 80
Channel Mode Messages Quiz 3
13 The MIDI
Language 3 80 – 86
System-Level Messages
System Common Messages
System Real-Time Messages
System Exclusive Messages
14 Non-keyboard
MIDI Instruments 90 - 99
MIDI String
Instruments
MIDI Wind
Instruments
MIDI
Percussion Instruments
15 Modulations 1 video
16 Modulations 2 video
17 Digital Audio Introduction 100
- 104
Digitizing Audio Quiz 4
18 Characteristics
of Digital Audio 104 - 114
Sampling
Rate of CD Audio and Its Origin
19 Digital
Filtering 1 114 - 120
Feedforward
vs. Feedback Filters
Lowpass Filters
Highpass Filters Quiz 5
20 Digital
Filtering 2 120 - 131
Bandpass
and Band-Reject Filters
21 Digital
Recording and Playback 131 – 134
Quiz
6
22 Working with
Digital Audio 135 - 146
23 Oversampling
and Noiseshaping 146 – 152
24 Storage Media
152 - 160
Compact
Disc
25 DVD 160
- 169
DVD-Audio
SuperAudioCD Quiz 7
26 Acquiring
Audio 169 -
177
Room Acoustics
27 Microphones 178 - 198
5.1 Channel
Configurations
28 Treating and
Mixing Audio 198 – 211
Effects Processors Quiz 8
29 Mixing 211
- 220
Channels, Phantom
Power, Channel Insert
30 Digital
Instruments 220
- 234
Samplers
Synthesizers
31 Review for
Final
32 Final